| # | Artist | Album [tracks] | time lost, clips/sec
|
|---|
73
| Various
 | "Best Of Classics", 54m:27s, max track level -19.97dB rms
17 tracks, 128 clips, dynamics 17.71dB to 30.90dB | 7.17ms
0.0Hz
|
| -32.76dB rms
-32.92dB rms
| 01: Symphony No9 Op95 New World & Largo Antonin Dvorak: 3m: 3s
Dynamics 30.90dB, 6 clips, max clip 4 samples (0.091ms) | 0.32ms
0.0Hz
|
| -21.38dB rms
-21.60dB rms
| 02: Eine Kliene Nachtmusik & Minuet Wolfgang Amadeus Morzart: 1m:59s
Dynamics 19.85dB, 7 clips, max clip 3 samples (0.068ms) | 0.36ms
0.0Hz
|
| -24.14dB rms
-24.47dB rms
| 03: Eine Kliene Nachtmusik & Rondo Wolfgang Amadeus Morzart: 3m:47s
Dynamics 22.56dB, 6 clips, max clip 5 samples (0.113ms) | 0.25ms
0.0Hz
|
| -31.57dB rms
-32.38dB rms
| 04: Piano Sonata No14 Moonlight Adagio Sostenuto & Ludwig Van Beethoven: 3m: 6s
Dynamics 19.42dB, 11 clips, max clip 6 samples (0.136ms) | 1.20ms
0.0Hz
|
 | -23.32dB rms
-21.26dB rms
| 05: Clarinet Concerto In A Major & Adagio Wolfgang Amadeus Morzart: 2m:12s
Dynamics 17.84dB, 14 clips, max clip 5 samples (0.113ms) | 0.84ms
0.1Hz
|
| -22.83dB rms
-23.55dB rms
| 06: Cantata Chorale No10 Jesu Of Mans Desire & Johann Sebastian Bach: 3m:38s
Dynamics 21.55dB, 6 clips, max clip 4 samples (0.091ms) | 0.41ms
0.0Hz
|
| -24.50dB rms
-24.93dB rms
| 07: Cantique De Jean Racine & Gabriel Faure: 4m:37s
Dynamics 22.63dB, 4 clips, max clip 3 samples (0.068ms) | 0.20ms
0.0Hz
|
| -22.02dB rms
-22.17dB rms
| 08: Tosca Vissi Darte & Giamomo Puccini: 3m: 5s
Dynamics 20.30dB, 15 clips, max clip 3 samples (0.068ms) | 0.68ms
0.0Hz
|
| -20.76dB rms
-21.10dB rms
| 09: Horn Concerto In Eb Major Rondo Allegro Vivace & Wolfgang Amadeus Morzart: 3m:27s
Dynamics 18.18dB, 8 clips, max clip 5 samples (0.113ms) | 0.54ms
0.0Hz
|
| -22.85dB rms
-23.38dB rms
| 10: Cannon In D Major & Johann Pachelbel: 3m:21s
Dynamics 19.17dB, 5 clips, max clip 3 samples (0.068ms) | 0.25ms
0.0Hz
|
| -24.56dB rms
-25.38dB rms
| 11: Ave Verum Corpus & Wolfgang Amadeus Morzart: 3m: 7s
Dynamics 22.15dB, 6 clips, max clip 2 samples (0.045ms) | 0.27ms
0.0Hz
|
| -23.87dB rms
-23.98dB rms
| 12: Romance No2 In F Op50 & Ludwig Van Beethoven: 1m:59s
Dynamics 20.51dB, 5 clips, max clip 3 samples (0.068ms) | 0.23ms
0.0Hz
|
| -24.97dB rms
-22.50dB rms
| 13: Symphony No7 Allegretto & Ludwig Van Beethoven: 2m:59s
Dynamics 19.70dB, 6 clips, max clip 8 samples (0.181ms) | 0.45ms
0.0Hz
|
| -25.38dB rms
-25.17dB rms
| 14: Prelude A Lapresmidi Dun Faune & Claude Debussy: 3m:27s
Dynamics 22.53dB, 5 clips, max clip 4 samples (0.091ms) | 0.34ms
0.0Hz
|
| -24.53dB rms
-26.40dB rms
| 15: Violin Concerto No1 In G Minor Op26 Adagio & Max Bruch: 4m: 4s
Dynamics 19.93dB, 6 clips, max clip 2 samples (0.045ms) | 0.20ms
0.0Hz
|
| -24.14dB rms
-24.27dB rms
| 16: Cello Concerto Op104 Allegro & Antonin Dvorak: 3m: 5s
Dynamics 22.10dB, 5 clips, max clip 3 samples (0.068ms) | 0.20ms
0.0Hz
|
| -20.32dB rms
-19.97dB rms
| 17: Turandot Nesun Dorma & Giacomo Puccini: 3m:21s
Dynamics 17.71dB, 13 clips, max clip 2 samples (0.045ms) | 0.41ms
0.0Hz
|
